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More stuffVater – New Nude Sticks, Player’s Design Models, and Sound-Enhancing Accessories

14.12.2018

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NAKED DRUMER



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Nude drummer

The StickMate tambourine added a subtler jingle than a full-size tambourine, and the jingles sounded tighter and more controlled. Nude sticks have a finely sanded grip that leaves a slightly textured, dusty feel. Check out a video demo of the StickMates at moderndrummer. Buzz Kill, Buzz Kill Dry, and StickMates While many drummers love the unfettered tone of fully sustaining drums, the reality is that we almost always have to tame down the overtones with some type of muffling, whether playing live under microphones, in the studio, or in untreated rooms with harsh high-end frequencies. I like to play with a spread-out setup, and the extra reach of the 1A allowed me to keep from overextending my arms. Also new are two sizes of clear muffling gels, the Buzz Kill and Buzz Kill Dry, and a couple of inventive StickMates, which allow you to add shaker or tambourine textures to your grooves via a slim, lightweight plastic grip attachment. The most innovative new product from Vater this year is the plastic StickMate attachment, which connects to the butt end of a drumstick and comes with either tambourine jingles three sets or a small shaker. It has a thick 2B-size grip. Nude drummer

Nude drummer





Nude drummer





Nude drummer





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5 thoughts on “Watch Next

  1. It still provided a big, full sound, but I found that it offered just a bit more speed and flexibility for jumping around the kit quickly.

  2. Also new are two sizes of clear muffling gels, the Buzz Kill and Buzz Kill Dry, and a couple of inventive StickMates, which allow you to add shaker or tambourine textures to your grooves via a slim, lightweight plastic grip attachment. Providing more muffling, the Buzz Kill Dry is 1.

  3. A sturdy shoulder and neck and a rounded barrel wood tip are employed to deliver punchy, full-volume tones. The difference is a matter of.

  4. It has a thick 2B-size grip. Noted musicologist Joachim Braun explores the music of the Holy Land region of the Middle East, tracing its form and development from its beginning in the Stone Age to the fourth century A. It also delivered a stronger and more powerful sound from drums and cymbals than what I get from a typical 5A, while retaining a nimble response.

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